![]() These are not particularly quick speeds, but they are more than sufficient for capturing ProRes 422HQ. The 1TB SSD that comes with the Mavic 3 Cine has the following read and write speeds: The Mavic 2 Pro is officially listed as only supporting cards up to 128GB in capacity, but larger capacity cards will work. The Mavic 3 and Mavic 3 Cine now support SDXC or UHS-I microSD cards with a capacity of up to 2 TB. What is also interesting is that the Mavic 3 and Mavic 3 Cine file format gets recorded in exFAT instead of the annoying FAT32 (≤32 GB). As a comparison, the Mavic 2 Pro was limited to 100 Mbps. The maximum bitrate when recording H.264 is 200Mbps, while in H.265 the maximum is 140Mbps. They will be added in a future firmware update. Please note that these high frame rate capabilities will not be available at launch. Videos will be played as slow-motion videos. **Frame rates above are recording frame rates. There is no mention anywhere of whether or not the Mavic 3 Cine will be able to capture in other flavors of ProRes or ProRes RAW at some future point in time. Please note that the Mavic 3 Cine is the only one of the two that is capable of capturing ProRes. The data rate when recording 4K 120fps in ProRes 422HQ is a whopping 3772Mbps.īelow are the full recording capabilities. The Mavic 3 Cine can record in H.264/H.265 and ProRes 422HQ. The Mavic 3 can record in either H.264 or H.265 in 10-bit. The Mavic 3 and Mavic 3 Cine can both record 5.1K video at up to 50fps as well as 4K at up to 120fps. The Mavic 3 can capture up to 1 billion colors using the 10-bit D-Log color profile. If you are not familiar with the X5S it is one of the cameras you can use with the Inspire 2.ĭJI states that the Mavic 3 and Mavic 3 Cine use Hasselblad’s Natural Colour Solution (HNCS), which was introduced with the Mavic 2 Pro. ![]() The sensor in the Mavic 3 and Mavic 3 Cine do appear to be very similar to the sensor that is used in DJI’s Zemmuse X5S. Both drones have a claimed dynamic range of 12.8 stops. The larger image sensor (4/3″) is claimed to give the Mavic 3 and Mavic 3 Cine a higher dynamic range and more effectively suppresses noise in low-light environments. If you are using the telephoto lens, you can only record in H.264 or H.265 and not ProRes. Once the search mode is enabled, the camera zoom will exceed 7x and the Mavic 3 will automatically switch to the telephoto camera. The telephoto camera can only be used in search mode. This camera utilizes its own 1/2″ sensor. It has a minimum focusing distance of 3m / 9.84′. The second camera is a 162mm telephoto with 28x Hybrid Zoom (digital + optical) and an aperture of f/4.4. The wide-angle camera has the option to choose either a mechanical or electronic shutter. The ISO range when shooting video is 100-6400 ISO and for stills, it is 100-3200 ISO (auto setting) and 100-12,800 ISO (manual setting). It has a minimum focusing distance of 1m / 3.28′. It features a 24mm (format equivalent) focal length and a variable aperture of f/2.8-f/11. DJI promises us a dynamic range of 12.The L2D-20c aerial camera utilizes a 4/3″ CMOS sensor with 20MP (effective). We're curious to hear your thoughts on how flexible these files are and how much you can push the highlights and shadows. Download the above photo in full resolution and unedited in JPG or DNG format. ![]() DJI Mavic 3 sample photos Download the above photo in full resolution and unedited in JPG or DNG format. If you are interested in seeing sample footage of the DJI Mavic 3 28x Hybrid Zoom, click here.
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